![]() So I've opted to simply record three different takes of the same short clip for each given sample, using the exact same settings and gain for guitar and bass, and doing my utmost to maintain a consistent performance on vocals. I've seen some shootouts simply mic their monitors playing back the same clip, and while that certainly helps to eliminate performance variables, I don't think it really gives you a true and accurate sense of what a microphone or pre actually does on a given source. ![]() Ideally you want all your competitors recording the exact same source using the exact same ancillary equipment simultaneously, but that's usually impossible. Converters, EQs, compressors and other pieces of outboard gear are fairly straightforward because you can simply run the same sample through each piece of gear you're testing, but mic preamps, interfaces and microphones are a little more problematic. About the Recordings: There are a number of competing schools of thought when it comes down to how to design the perfect preamp or microphone shootout.
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